Posts Tagged ‘Robert Breer’

The Film Collection – On view through March 2014

Friday, June 28th, 2013
harry smith_heaven and earth magick 1962

Still from Harry Smith’s Heaven and Earth Magick, 1962

This month we opened our new and improved modern and contemporary collection galleries. The installation is a component of the 2013 Carnegie International (as is the Playground Project, which also opened this month in the Heinz Architectural Center) and highlights the major role the International has played in forming the museum’s collection. As the show has been curated by different individuals over its nearly 120 year history, and as those individuals have chosen to acquire certain things rather than others, the collection has a unique character reflective of personal tastes and interests.  Sometimes major artists were missed, but with the benefit of hindsight, the museum has continued to fill in the gaps through new acquisitions. Works that weren’t in Internationals past are included in the reinstallation as well, to create a cohesive presentation of many of our best works.

Film and video is one facet of artistic practice that showed up late on the International‘s radar, appearing for the first time in the 1985 iteration. In the meantime, the Film and Video department was doing really innovative things, bringing some of the most important filmmakers to Pittsburgh to present their work and building an outstanding collection. Rethinking the collection galleries has given us the opportunity to make room for this frequently overlooked segment of our holdings (and history), so we’ve built an elegant new “black box” space in gallery 14.  Over the course of the next 8 months–through the run of the International– this gallery will be home to a roughly chronological, rotating program of works by 11 major artists (see the full upcoming schedule after the jump). Most of the films that will be on view were acquired during the Film and Video department’s first ten years (1970-1980), and some were presented in person by the filmmaker.

First up: Harry Smith‘s Heaven and Earth Magick (1962), a surreal collage film composed from Victorian-era catalogues and exercise manuals that Smith produced over a period of five years using a randomizing selection process called sortilege, inspired by the Surrealist practice of automatic writing.  Smith adopted a strategic regimen of sleep deprivation, working to the point of exhaustion and then transferring his dreams to film upon waking. The resulting animation revolves around a male magus character who, after injecting a female figure with magic potion, finds she has disintegrated and must be reassembled.

Heaven and Earth Magic includes references to the Kabbalah, 19th-century philology, and the writings of Dr. Wilder Penfield on open-brain surgery and the concept of the Homunculus, evincing Smith’s nearly encyclopedic knowledge of esoterica and mysticism. The artist was an avid collector of everything from pop-up books and forgotten folk records (he famously compiled the Anthology of American Folk Music, released in 1952) to Native American costumes, string figures, and Fabergé eggs. His interest in ethnic artifacts and everyday ephemera, as well as obscure forms of knowledge and the occult, was rooted in a search for universality underlying the diversity of human endeavor.

Stop by and see the film before July 8th, when we’ll switch it out for a compilation of Kenneth Anger‘s early work.

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Robert Breer’s Lesser-known “Floats”

Wednesday, January 18th, 2012

It occurs to me that most of my posts thus far have related to something or other that has been unearthed in the process of digging around in old files. Either I love archives or just intersect with them a lot in the course of my working life… In any case, it figures that when I read Art Forum‘s recent “Passages” piece on artist-filmmaker (and 2004 Carnegie International artist), Robert Breer, who died last summer, I immediately thought of something I found in the Film Section file cabinets a while back. So here’s a tribute to Breer, nerdy archival style…

Most people talk about the domed kinetic sculptures (slow moving, self-propelled objects that the artist called “floats”) that Breer built for the Pepsi Cola Pavilion at Expo ’70 in Osaka, Japan.  And rightly so: the Pavilion was a crowning achievement for Experiments in Art and Technology (E.A.T.). People who lived in Pittsburgh during the mid-1970s, however, might best remember Breer for the three floats he made for the 1974 Three Rivers Arts Festival– a mechanized crumpled plastic mass, pyramid, and stacked box “ziggurat” that crept slowly around a plaza near Gateway Center. So slowly in fact, that their movement was nearly imperceptible, until the viewer turned around to find the arrangement had changed.

I grew up in Pittsburgh but hadn’t been born yet, so it was (exciting!) news to me when I discovered the documentation in the artist’s Film Section file. There was apparently a concurrent gallery exhibition of some of Breer’s smaller kinetic works, but I haven’t been able to find out where that took place. Some photos to share anyway, pending more research.

Please comment if you know something more about this project, or if you know who the photographer was…