Posts Tagged ‘film’

The Film Collection – On view through March 2014

Friday, June 28th, 2013
harry smith_heaven and earth magick 1962

Still from Harry Smith’s Heaven and Earth Magick, 1962

This month we opened our new and improved modern and contemporary collection galleries. The installation is a component of the 2013 Carnegie International (as is the Playground Project, which also opened this month in the Heinz Architectural Center) and highlights the major role the International has played in forming the museum’s collection. As the show has been curated by different individuals over its nearly 120 year history, and as those individuals have chosen to acquire certain things rather than others, the collection has a unique character reflective of personal tastes and interests.  Sometimes major artists were missed, but with the benefit of hindsight, the museum has continued to fill in the gaps through new acquisitions. Works that weren’t in Internationals past are included in the reinstallation as well, to create a cohesive presentation of many of our best works.

Film and video is one facet of artistic practice that showed up late on the International‘s radar, appearing for the first time in the 1985 iteration. In the meantime, the Film and Video department was doing really innovative things, bringing some of the most important filmmakers to Pittsburgh to present their work and building an outstanding collection. Rethinking the collection galleries has given us the opportunity to make room for this frequently overlooked segment of our holdings (and history), so we’ve built an elegant new “black box” space in gallery 14.  Over the course of the next 8 months–through the run of the International– this gallery will be home to a roughly chronological, rotating program of works by 11 major artists (see the full upcoming schedule after the jump). Most of the films that will be on view were acquired during the Film and Video department’s first ten years (1970-1980), and some were presented in person by the filmmaker.

First up: Harry Smith‘s Heaven and Earth Magick (1962), a surreal collage film composed from Victorian-era catalogues and exercise manuals that Smith produced over a period of five years using a randomizing selection process called sortilege, inspired by the Surrealist practice of automatic writing.  Smith adopted a strategic regimen of sleep deprivation, working to the point of exhaustion and then transferring his dreams to film upon waking. The resulting animation revolves around a male magus character who, after injecting a female figure with magic potion, finds she has disintegrated and must be reassembled.

Heaven and Earth Magic includes references to the Kabbalah, 19th-century philology, and the writings of Dr. Wilder Penfield on open-brain surgery and the concept of the Homunculus, evincing Smith’s nearly encyclopedic knowledge of esoterica and mysticism. The artist was an avid collector of everything from pop-up books and forgotten folk records (he famously compiled the Anthology of American Folk Music, released in 1952) to Native American costumes, string figures, and Fabergé eggs. His interest in ethnic artifacts and everyday ephemera, as well as obscure forms of knowledge and the occult, was rooted in a search for universality underlying the diversity of human endeavor.

Stop by and see the film before July 8th, when we’ll switch it out for a compilation of Kenneth Anger‘s early work.

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Lightplay: Experiments in Paracinema at Apartment Talks

Thursday, October 25th, 2012

Kosugi piece 4

Apartment Talk #10: Brett Kashmere, Melissa Ragona, Nico Zevallos, and Jonathan Walley

On October 2nd, we hosted an event programmed by INCITE Journal of Experimental Media’s Brett Kashmere for VIA Music and New Media Festival 2012. With collaborators Melissa Ragona and Nico Zevallos of CMU and Jonathan Walley of Denison University, Brett treated us to recreations of two “non-films” of the 1960s: Hollis Frampton’s audio/projection performance A Lecture, first performed at Hunter College in NYC in 1968, and Takehisa Kosugi’s little known performance Film and Film #4 of 1966. The Kosugi piece is referenced in A Lecture, so Frampton saw or knew of the piece, though it has rarely—if ever—been performed since.

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Duncan Campbell

Friday, June 8th, 2012

Installation shot of "Duncan Campbell" showing screen prints (alt)

The other day I did an interview about this blog with Tyler Green of Modern Art Notes, and he was telling me that he thinks one of the things that makes it great is that it doesn’t feel like we’re plugging something. True, we’re usually just interested in sharing what we’re interested in. But now I’m going to actively promote something. Sorry Tyler! I hope you’ll forgive this transgression, because this is important:

There’s about a month left to see new screen prints and three powerful films by Duncan Campbell—Arbeit (2011), Make It New John (2009), and Bernadette (2008)—which are playing on a timed daily rotation in our Forum Gallery. I think people don’t necessarily expect to sit down and watch a longish (39 min., 50 min., and 37 min., respectively) video when they come to a museum, but this is an opportunity not to be missed. The dinosaurs aren’t going anywhere, so if you live in the Pittsburgh area or will be visiting before July 8, please don’t rush past Forum en route to somewhere else—commit a little time to this show.
 

Film Posters 1976–1981

Friday, March 16th, 2012

Between recent exhibitions like Paul Sharits at Greene Naftali and upcoming shows like Wish You Were Here: The Buffalo Avant-Garde in the 1970s at Albright-Knox, experimental filmmakers who came to prominence in the 70s are getting their due these days. We’ve been taking stock of our film collection, too, with help from an A.W. Mellon Foundation grant, so it seemed like an opportune moment to share a selection of posters from an amazing series of artist talks and screenings hosted by the Carnegie Film Section (1970–1980), later the Department of Film and Video (1980–2003). Some of the rarest and most valuable material in our collection are recordings from these presentations.

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The light lock in the lobby: Recent films and moving images in Forum

Thursday, December 15th, 2011

When I arrived at the museum in May 2009, my first show was in the Forum Gallery. I brought together three moving image works that kept kicking around my head over the preceding year. The dark, granite floored gallery seemed a good place to experiment with their simultaneous presentation. All silent, the group included Joachim Koester’s frantic, beautiful, and strange 16mm film Tarantism, William E. Jones latest version of his Farm Security Administration digital photo animation hypnotism Killed, called Punctured, and Rosalind Nashashibi and Lucy Skaer’s nighttime film raid on the Met, Flash in the Metropolitan. You can read more about the Jones, Koester, Nashashibi/Skaer: Reanimation here.

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