Posts Tagged ‘film’

Lightplay: Experiments in Paracinema at Apartment Talks

Thursday, October 25th, 2012

Kosugi piece 4

Apartment Talk #10: Brett Kashmere, Melissa Ragona, Nico Zevallos, and Jonathan Walley

On October 2nd, we hosted an event programmed by INCITE Journal of Experimental Media’s Brett Kashmere for VIA Music and New Media Festival 2012. With collaborators Melissa Ragona and Nico Zevallos of CMU and Jonathan Walley of Denison University, Brett treated us to recreations of two “non-films” of the 1960s: Hollis Frampton’s audio/projection performance A Lecture, first performed at Hunter College in NYC in 1968, and Takehisa Kosugi’s little known performance Film and Film #4 of 1966. The Kosugi piece is referenced in A Lecture, so Frampton saw or knew of the piece, though it has rarely—if ever—been performed since.

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Duncan Campbell

Friday, June 8th, 2012

Installation shot of "Duncan Campbell" showing screen prints (alt)

The other day I did an interview about this blog with Tyler Green of Modern Art Notes, and he was telling me that he thinks one of the things that makes it great is that it doesn’t feel like we’re plugging something. True, we’re usually just interested in sharing what we’re interested in. But now I’m going to actively promote something. Sorry Tyler! I hope you’ll forgive this transgression, because this is important:

There’s about a month left to see new screen prints and three powerful films by Duncan Campbell—Arbeit (2011), Make It New John (2009), and Bernadette (2008)—which are playing on a timed daily rotation in our Forum Gallery. I think people don’t necessarily expect to sit down and watch a longish (39 min., 50 min., and 37 min., respectively) video when they come to a museum, but this is an opportunity not to be missed. The dinosaurs aren’t going anywhere, so if you live in the Pittsburgh area or will be visiting before July 8, please don’t rush past Forum en route to somewhere else—commit a little time to this show.
 

Film Posters 1976–1981

Friday, March 16th, 2012

Between recent exhibitions like Paul Sharits at Greene Naftali and upcoming shows like Wish You Were Here: The Buffalo Avant-Garde in the 1970s at Albright-Knox, experimental filmmakers who came to prominence in the 70s are getting their due these days. We’ve been taking stock of our film collection, too, with help from an A.W. Mellon Foundation grant, so it seemed like an opportune moment to share a selection of posters from an amazing series of artist talks and screenings hosted by the Carnegie Film Section (1970–1980), later the Department of Film and Video (1980–2003). Some of the rarest and most valuable material in our collection are recordings from these presentations.

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The light lock in the lobby: Recent films and moving images in Forum

Thursday, December 15th, 2011

When I arrived at the museum in May 2009, my first show was in the Forum Gallery. I brought together three moving image works that kept kicking around my head over the preceding year. The dark, granite floored gallery seemed a good place to experiment with their simultaneous presentation. All silent, the group included Joachim Koester’s frantic, beautiful, and strange 16mm film Tarantism, William E. Jones latest version of his Farm Security Administration digital photo animation hypnotism Killed, called Punctured, and Rosalind Nashashibi and Lucy Skaer’s nighttime film raid on the Met, Flash in the Metropolitan. You can read more about the Jones, Koester, Nashashibi/Skaer: Reanimation here.

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Carolee Schneemann at Apartment Talks

Sunday, October 23rd, 2011

Apartment Talk #4: Carolee Schneemann (Co-organized with Melissa Ragona and CMU School of Art)

Legendary multidisciplinary artist Carolee Schneemann was recently in town to give a lecture at Carnegie Mellon University, and dropped in at the Lawrenceville apartment on October 19th to share a couple videos and some great stories.  More than 50 people turned out to see Americana I Ching Apple Pie (1972/2007) and Mysteries of the Pussies (1998/2010) (descriptions after the jump), which are based on performances the artist did years ago, but which still feel as fresh, funny, and provocative as ever.

Before making her way over to the apartment, Carolee met me for coffee at the Museum. I meant to give her a tour of the collection galleries, but we ended up poring over the contents of a folder marked “Carolee Schneemann” from the old Film Section files. The file includes a few real gems from the 1970s, like collages and lovingly adorned letters that Carolee sent then film curator, Sally Dixon, during the fledgling years of the Carnegie’s film program. Dixon invited Schneemann to screen her controversial film Fuses (1967) at the Museum in 1973, a bold move during a conservative period in the museum’s history (we screened it again in 2010 in conjunction with the exhibition Ordinary Madness to much uncomfortable fidgeting and clearing of throats, but no critical hoopla). The artist also presented a performance about her friend Joseph Cornell at the museum in 1978; hopefully I’ll be able to post related video in future, upon completion of our film and video preservation project.

A few things from Carolee’s film file, and images from her presentation at the apartment follow.

 

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